Sébastien Vanicek takes the Evil Dead franchise into the world of French Extremity with an unforgiving, bleak approach and a cruel eye towards everything in its path.

Pierre Coffin’s latest outing with the Minions is a reverential send-up of cinema’s history, filtered through the adorable hijinks of Illumination’s iconic mascots.

David Wain's latest comedy won’t win over non-believers, but celebrates the simple act of never giving up on your dreams in his typically absurdly hilarious way.

Steven Spielberg’s latest film reflects on the current political climate within a predictably spellbinding science fiction adventure.

John Carney’s latest film, ‘Power Ballad,’ tugs all the same heartstrings as his previous works while celebrating how artistic freedom yields soul-enriching works.

André Øvredal’s latest film sticks to the familiar path while crafting the occasionally satisfying thrill.

Simon McQuoid’s latest film is an improvement over its predecessor that faithfully captures the spirit of the modern games.

Tyler Atkins' sophomore feature rests in well-worn territory and delivers underwhelming drama in a familiar action premise.

Damian McCarthy’s latest atmospheric horror film confronts past traumas within a suspenseful haunted-house film.

Renny Harlin's latest film is a disaster movie injected with sharks that quickly dampens the conceit's promise.

David Lowery’s latest supernatural-inflected drama is bolstered by its performances and technical merits that elevate an otherwise underwhelming metaphor-heavy screenplay.

BenDavid Grabinski’s sophomore feature is a clever twist on the crime-comedy genre, with a little something entertaining for everyone.