James Vanderbilt’s sophomore feature posits compelling ideas before settling into a more generic and tragically sterile approach to confronting the atrocities of World War II.

Richard Linklater’s creative relationship with Ethan Hawke yields some of their best work as the two explore the sadness of the larger-than-life Lorenz Hart over the course of a single night.

Jafar Panahi’s latest film, It Was Just An Accident, thrives within the moral murkiness of a man seeking revenge on his suspected torturer.

The movie musical is put on a pedestal in Bill Condon’s ode to cinema and its role in providing light within the darkness.

Colin Minihan’s latest film emptily gestures towards real-life concerns in a gory bloodbath of nature versus man.

Ben Leonberg’s feature directorial debut has an attention-grabbing premise, but is far better than just being a horror movie from the perspective of a dog.

Shane Black’s latest film brings Donald E. Westlake’s Parker series of novels to the action comedy space, but loses a bit of the writer-director’s charms along the way.

Adam Carter Rehmeier’s Bonnie and Clyde riff continues to solidify the director’s love of Americana cinema in one of his most accessible and crowd-pleasing films to date.

Curry Barker’s feature directorial debut features astounding tonal control that creates nerve-wracking tension from a deceptively simplistic premise.

Ben Wheatley directs Derek Kolstad’s latest action vehicle for Bob Odenkirk. Wreaking havoc through rural Americana, ‘Normal’ is a mildly entertaining neo-Western elevated by its playful direction.

Guillermo del Toro adapts Mary Shelley’s prolific gothic horror novel to astounding effect, crafting an immersive and personal exploration about art, creation, and life.

Shawn Simmons’ feature directorial debut features hints of a better film buried in a tonal mess that crashes into itself.