Takashi Miike's riff on the surprisingly enduring Bad Lieutenant franchise sees the prolific director working comfortably within his wheelhouse, much to his latest film's detriment.

Zack Snyder’s latest film sees the director indulging in his worst tendencies and delivering a racist, misogynistic, and vapid exploration of hollow men engulfed in a world of violence.

TIFF’s Midnight Madness program was punched up by two comedic highlights from established talents: Matthew Rankin’s fever-dream documentary ‘Ladies and Gentlemen, Brian Mulroney’ and Matt Barats’ deadpan comedy ‘Anchors Aweigh.’

Barbara Kopple's latest documentary on labour struggles in America feels a touch too sanitized, but still remains an important document in the ongoing fight against corporate greed.

Matt Johnson’s latest feature is a beautifully crafted ode to the moments that bring clarity and realization to our lives.

Robby Rackleff and Alan Resnick’s surrealist comedy is an unsettling and evocative portrait of a violent society threatened by the appearance of an infectious force.

Christopher Nolan’s adaptation of Homer’s epic poem is a colossal achievement in adaptation and blockbuster filmmaking.

Sébastien Vanicek takes the Evil Dead franchise into the world of French Extremity with an unforgiving, bleak approach and a cruel eye towards everything in its path.

Pierre Coffin’s latest outing with the Minions is a reverential send-up of cinema’s history, filtered through the adorable hijinks of Illumination’s iconic mascots.

David Wain's latest comedy won’t win over non-believers, but celebrates the simple act of never giving up on your dreams in his typically absurdly hilarious way.

Steven Spielberg’s latest film reflects on the current political climate within a predictably spellbinding science fiction adventure.

John Carney’s latest film, ‘Power Ballad,’ tugs all the same heartstrings as his previous works while celebrating how artistic freedom yields soul-enriching works.