‘Mike & Nick & Nick & Alice’ Review
BenDavid Grabinski’s sophomore feature is a clever twist on the crime-comedy genre, with a little something entertaining for everyone.
‘Project Hail Mary’ Review
Phil Lord and Christopher Miller’s latest film is exciting speculative science fiction told with heart, and an excellent adaptation of Andy Weir’s novel of the same name.
‘Ready or Not 2: Here I Come’ Review
Matt Bettinelli-Olpin and Tyler Gillett maintain the same over-the-top violence and silly action in the sequel to their 2019 hit film, but with a case of diminishing returns.
Slamdance 2026: ‘The Bulldogs’ Review
After a train derails in East Palestine, Ohio, residents are forced to fight to be heard in Ori Segev and Noah Dixon's insightful documentary.
‘Good Luck, Have Fun, Don’t Die’ Review
Gore Verbinski’s latest film is a chaotic time-traveling adventure that finds a sliver of hope in a seemingly doomed society.
‘Atropia’ Review
An absurd real-life military exercise takes center stage in Hailey Benton Gates' directorial debut.
‘H is for Hawk’ Review
Philippa Lowthorpe's latest film, 'H is for Hawk,' takes the best-selling memoir of the same name and strips it down to its bare emotions.
‘28 Years Later: The Bone Temple’ Review
Nia DaCosta’s turn in the director’s chair brings forth a torrent of violence and chaos in a society on the brink of complete moral collapse.
‘We Bury the Dead’ Review
Zak Hilditch's latest horror effort is a smartly written character-driven spin on the zombie genre, led by an impressive Daisy Ridley.
‘The Rip’ Review
Joe Carnahan brings together Matt Damon and Ben Affleck for a gritty crime thriller that sets up an entertaining and intriguing dirty-cop narrative that fumbles the landing.
‘Dead Man’s Wire’ Review
Gus Van Sant’s latest feature is a thrilling throwback fueled by a rage against the system and bolstered by an energetic lead performance.
‘The Choral’ Review
Nicholas Hytner’s latest film is an unremarkable love letter to art’s importance during tragic times.