Alex Parkinson’s narrative adaptation of the 2019 documentary of the same name is an underwhelming and shallow retelling of an incredible tale of survival.

Sabrina Greco’s feature directorial debut is an intoxicating and entertaining study of social behaviours in awkward situations.

Daniel Straub and Rosanna Xia’s investigative documentary paints a severe portrait of fragile ecosystems unnecessarily pushed into harm’s way by negligence.

Scott Derrickson’s latest film relies on the chemistry of its leads and a focus on action to deliver thrilling popcorn entertainment.

Brady Corbet’s latest film is a staggering American epic that is as textured and nuanced as it is monolithic.

A ghost story told from the perspective of the ghost, Steven Soderbergh’s latest experiment in film is a fully realized exercise in agency and empathy.

Tim Fehlbaum’s latest film is an exacting portrait of ethics and objectivity in live journalism, with a cast and attention to detail that elevates its workmanlike approach.

Christian Gudegast’s sophomore directorial effort is a confident tonal shift of a sequel to one of 2018’s most surprisingly refined action films.

Robert Eggers’s latest film takes a familiar narrative and imbues it with terrifying imagery and unparalleled immersion.

Joshua Oppenheimer’s debut narrative feature is a baffling mix of genres that still manages to reflect the evils of humankind.

Ridley Scott returns to one of his most prolific films with a sword-and-sandals epic that is both satisfying and disappointing.

Edward Berger's papal thriller turns an otherwise sterile screenplay into a lavish and focused commentary on the current political landscape.