Daniel Roher and Edmund Stenson’s documentary on a congenital condition that takes a family across the world is a heartwarming and slight experience.

Quinn Armstrong's sophomore feature, and first film in his Fresh Hell trilogy, is a bleak and unflinching examination of conversion therapy and its horrors.

Fede Alvarez takes a swing at iterating on the Alien franchise with a playful amusement park of thrilling set pieces and terrifying imagery.

M. Night Shyamalan's latest thriller leans heavy on the twists to create an entertaining cat-and-mouse manhunt to catch a crafty serial killer.

Tilman Singer's sophomore feature is a delirious trip that muddles its thematic intent in exchange for pure genre thrills.

Dev Patel’s feature directorial debut, ‘Monkey Man,’ is a fascinating riff on popular action films through a distinctly Indian lens.

Jane Schoenbrun's latest film, I Saw The TV Glow, is a singular and vital confrontation of escapism and its role in our formative years.

Jeymes Samuel’s sophomore feature, The Book of Clarence, is a gorgeous and immersive experience restrained by its fluctuating tone and meandering narrative.

Alex Garland’s latest film is a taut thriller whose singular focus hinders it from being more than a tense genre exercise.

Crystal Moselle and Derrick B. Harden’s ‘The Black Sea’ is a textured and poignant celebration of the human spirit during times of uncertainty.

Michael Felker's feature directorial debut is an effective and heady lo-fi sci-fi thriller.

Pete Ohs’ latest feature film is a funny and thought-provoking glimpse into a society where all jobs are illegal.