‘Civil War’ Review
Alex Garland’s latest film is a taut thriller whose singular focus hinders it from being more than a tense genre exercise.
SXSW 2024: ‘The Black Sea’ Review
Crystal Moselle and Derrick B. Harden’s ‘The Black Sea’ is a textured and poignant celebration of the human spirit during times of uncertainty.
SXSW 2024: ‘Things Will Be Different’ Review
Michael Felker's feature directorial debut is an effective and heady lo-fi sci-fi thriller.
Slamdance 2024: ‘Love and Work’ Review
Pete Ohs’ latest feature film is a funny and thought-provoking glimpse into a society where all jobs are illegal.
‘Lift’ Review
F. Gary Gray's latest entry to the heist genre fails to stand out from its contemporaries.
‘Beyond Utopia’ Review
Madeleine Gavin’s latest documentary is a vital reminder of North Korea’s oppressive systems of power operating unchecked.
‘Poor Things’ Review
Yorgos Lanthimos’ latest film is a powerful canvas for its actors but falls short in delivering on its empowering narrative.
‘The Family Plan’ Review
Simon Cellan Jones' latest film is a sterile and safe action comedy that can't seem to find an identity.
‘Leave the World Behind’ Review
Sam Esmail's latest film is a frightening view of our current society's dependency on technology.
‘Silent Night’ Review
John Woo’s return to American cinema delivers in surprising ways while fumbling its unnecessary gimmick.
‘Priscilla’ Review
Sofia Coppola explores the beginning and end of a relationship in a dreamlike and subdued portrait of Priscilla Presley.
‘Flora and Son’ Review
John Carney’s latest love letter to how music brings us together is a bit out of tune but finds the right chords to strum.