Philippa Lowthorpe's latest film, 'H is for Hawk,' takes the best-selling memoir of the same name and strips it down to its bare emotions.

Nia DaCosta’s turn in the director’s chair brings forth a torrent of violence and chaos in a society on the brink of complete moral collapse.

Zak Hilditch's latest horror effort is a smartly written character-driven spin on the zombie genre, led by an impressive Daisy Ridley.

Joe Carnahan brings together Matt Damon and Ben Affleck for a gritty crime thriller that sets up an entertaining and intriguing dirty-cop narrative that fumbles the landing.

Gus Van Sant’s latest feature is a thrilling throwback fueled by a rage against the system and bolstered by an energetic lead performance.

Nicholas Hytner’s latest film is an unremarkable love letter to art’s importance during tragic times.

Kaouther Ben Hania’s latest film dramatizes a real-life atrocity to craft something vital and exemplary of the power of cinema.

James Vanderbilt’s sophomore feature posits compelling ideas before settling into a more generic and tragically sterile approach to confronting the atrocities of World War II.

Richard Linklater’s creative relationship with Ethan Hawke yields some of their best work as the two explore the sadness of the larger-than-life Lorenz Hart over the course of a single night.

Jafar Panahi’s latest film, It Was Just An Accident, thrives within the moral murkiness of a man seeking revenge on his suspected torturer.

The movie musical is put on a pedestal in Bill Condon’s ode to cinema and its role in providing light within the darkness.

Colin Minihan’s latest film emptily gestures towards real-life concerns in a gory bloodbath of nature versus man.