Ridley Scott returns to one of his most prolific films with a sword-and-sandals epic that is both satisfying and disappointing.

Edward Berger's papal thriller turns an otherwise sterile screenplay into a lavish and focused commentary on the current political landscape.

Daniel Roher and Edmund Stenson’s documentary on a congenital condition that takes a family across the world is a heartwarming and slight experience.

Matthew Rankin's sophomore feature is an imaginative and heartfelt celebration of human connection in a fictionalized Canada.

Sean Baker's latest film is an exciting and tense whirlwind romance, led by a tremendous performance and infectious energy.

Kazik Radwanski's latest film is a richly textured analysis of creative people wrestling with modern-day anxieties.

Coralie Fargeat's sophomore feature is a maximalist body horror masterpiece that is both unflinching in its extremes and remarkably assured in its direction.

A collection of reviews from the 43rd edition of the Vancouver International Film Festival for Ari's Theme, The Chef & The Daruma, and Inay (Mama).

Max and Sam Eggers' feature directorial debut pits an expectant mother against her mother-in-law while trying to balance unsettling actions with non-stop comedy.

Jeremy Saulnier's latest film confronts corruption and injustice through the determination of its formidable protagonist.

Quinn Armstrong's sophomore feature, and first film in his Fresh Hell trilogy, is a bleak and unflinching examination of conversion therapy and its horrors.

Fede Alvarez takes a swing at iterating on the Alien franchise with a playful amusement park of thrilling set pieces and terrifying imagery.