‘Nobody 2’ Review
Timo Tjahjanto makes his English-language directorial debut with 'Nobody 2' and delivers a fun distraction that struggles to be anything more than that.
‘Weapons’ Review
Zach Cregger’s sophomore solo feature retains the nastiness and shocking qualities of his debut, while also successfully delivering a more gripping and mysterious film about damaged individuals trying to push forward through tragedy.
‘Cloud’ Review
Kiyoshi Kurosawa’s latest film ruminates on consumerism, anonymity, and the moral complexities of trying to survive and thrive in a digital age.
‘Ghost Killer’ Review
Kensuke Sonomura’s latest film is an entertaining action-comedy featuring top-tier action choreography while failing to live up to its premise’s potential.
NYAFF 2025: ‘Dollhouse’ Review
Shinobu Yaguchi’s latest film is a departure from the director’s familiar upbeat comedies as he digs into the horror genre with satisfying results.
‘Hot Spring Shark Attack’ Review
Morihito Inoue's directorial debut is an impressive display of creativity wrapped in a chaotic and endearing experience.
‘F1: The Movie’ Review
Joseph Kosinski’s latest film is another immersive, adrenaline-fueled spectacle and an entry point into the world’s most popular motorsport.
‘Dangerous Animals’ Review
Sean Byrne’s latest horror film is a violent, intelligent shark film that stretches itself thin to deliver a comprehensive character study.
‘Predator: Killer of Killers’ Review
Dan Trachtenberg’s latest film is an impressive animated anthology film that expands the Predator universe with tremendous action and smart characters.
‘Mission: Impossible - The Final Reckoning’ Review
Christopher McQuarrie’s fourth directed film in the long-running action franchise celebrates what came before while reckoning with the choices that will dictate Ethan Hunt’s future.
‘Havoc’ Review
Gareth Evans’ latest film is a bleak crime thriller that sees its star carve a blood-soaked path through the criminal underworld.
‘Kaiju No. 8: Mission Recon’ Review
Shigeyuki Miya & Tomomi Kamiya’s omnibus treatment of Kaiju No. 8 brings staggering spectacle to an otherwise unsatisfying but interesting narrative.