Heo Myeong-haeng’s stab at The Roundup franchise results in a far more comedic slive of comfort food - with the necessary amount of violence to invigorate action fans.

Alex Garland’s latest film is a taut thriller whose singular focus hinders it from being more than a tense genre exercise.

Crystal Moselle and Derrick B. Harden’s ‘The Black Sea’ is a textured and poignant celebration of the human spirit during times of uncertainty.

Michael Felker's feature directorial debut is an effective and heady lo-fi sci-fi thriller.

Juan Carlos Fresnadillo’s latest film sets up a harrowing ordeal only to squander its genre potential.

Wim Wenders searches for a therapeutic calmness in the pursuit of minimalism in his latest film.

Bertrand Mandico’s latest film explores the artistic process through the violent mythos of Conan the Barbarian.

Heo Myeong-haeng’s directorial debut is a fun slice of action cinema in a post-apocalyptic Seoul.

Øystein Mamen’s feature directorial debut is a challenging, meditative look at attempting to reckon with unforgivable actions.

Trygve Luktvasslimo's feature directorial debut is a humorous and exhausting cautionary tale.

Pete Ohs’ latest feature film is a funny and thought-provoking glimpse into a society where all jobs are illegal.

Phạm Thiên An's feature directorial debut confronts spirituality as it reflects on the past and the path that leads to the present.