Shoshannah Stern’s directorial debut shines a spotlight on an actor who has brought both representation and change to Hollywood over the course of her career.

Flying Lotus’s sophomore feature is a surreal hybrid of science fiction and horror that relies on its influences and stylistic impulses at the expense of its characters and narrative.

James Ashcroft’s sophomore feature is another bleak examination of humanity through the unique lens of a retirement home held hostage by one of its residents.

Seiji Tanaka’s latest film is a bloody revenge film that never rises above its dependence on ultraviolence.

A collection of reviews from the 31st edition of the Slamdance Film Festival for American Theater and Coroner to the Stars.

Alex Parkinson’s narrative adaptation of the 2019 documentary of the same name is an underwhelming and shallow retelling of an incredible tale of survival.

Sabrina Greco’s feature directorial debut is an intoxicating and entertaining study of social behaviours in awkward situations.

Daniel Straub and Rosanna Xia’s investigative documentary paints a severe portrait of fragile ecosystems unnecessarily pushed into harm’s way by negligence.

Scott Derrickson’s latest film relies on the chemistry of its leads and a focus on action to deliver thrilling popcorn entertainment.

Kwon Hyeok-jae’s continuation of The Priests franchise is a bleak but unremarkable exorcism film bolstered by its lead performances.

Donnie Yen’s latest film contrasts spectacular action sequences with an underwhelming courtroom drama.

Brady Corbet’s latest film is a staggering American epic that is as textured and nuanced as it is monolithic.