Na Hong-jin delivers an impressive action spectacle that keeps itself moving efficiently, despite a screenplay slightly bogged down by familiar genre trappings.

The 51st Toronto International Film Festival takes place from September 10th to 20th in Toronto, Ontario.

Matt Johnson’s latest feature is a beautifully crafted ode to the moments that bring clarity and realization to our lives.

Ryûsuke Kurahashi's feature directorial debut too closely adapts its source material while undercutting its action potential.

Xie Miao returns in Yang Bingjia's latest film to deliver justice through confident action in a more light-hearted adventure.

Dylan Meyer’s directorial debut is a silly misadventure through Los Angeles with two charismatic and infectious lead performances.

Kiyoshi Kurosawa’s latest feature sees the prolific director taking on the jidaigeki film with careful precision and a moral center that resonates today.

Bob Colaers’ sophomore feature delivers bloody carnage through an apartment complex, but fails to differentiate itself from its contemporaries.

Childhood friends mix pranks with an alien abduction to mostly entertaining effect in Kwok Ka-hei and Jack Lee Chun-kit’s silly extraterrestrial mystery.

Taichi Kimura’s sophomore feature is an incisive condemnation of patriarchal values with an endearing protagonist fighting to raise her child alone.

Kōji Shiraishi’s latest horror feature builds upon his legacy of unsettling mysteries with an impressive combination of atmospheric tension and paranoia-driven investigation.

Sophie Yang and Veronica Bassetto’s feature debut has its heart in the right place, but falls short of the important conversation it’s trying to instigate.