Takashi Miike's riff on the surprisingly enduring Bad Lieutenant franchise sees the prolific director working comfortably within his wheelhouse, much to his latest film's detriment.
Zack Snyder’s latest film sees the director indulging in his worst tendencies and delivering a racist, misogynistic, and vapid exploration of hollow men engulfed in a world of violence.
TIFF’s Midnight Madness program was punched up by two comedic highlights from established talents: Matthew Rankin’s fever-dream documentary ‘Ladies and Gentlemen, Brian Mulroney’ and Matt Barats’ deadpan comedy ‘Anchors Aweigh.’
Samjad’s slick action-horror hybrid weaves together vampirism with martial arts in a curry western dedicated to keeping the blood pumping in its audience.
TIFF’s Wavelengths program welcomes the narrative feature debut from John Torres and a textured road movie from Sebastian Brameshuber.
Barbara Kopple's latest documentary on labour struggles in America feels a touch too sanitized, but still remains an important document in the ongoing fight against corporate greed.
Sine Plambech’s latest documentary immerses audiences in a harrowing attempt to reunite a family torn apart during a rescue attempt off the coast of Libya.
TIFF’s Platform section highlights the devastating effects of war on Japanese youth in Miwa Nishikawa’s latest film and the secrets kept hidden to survive in Jan Holoubek’s new genre-bending feature.
Abinash Bikram Shah’s feature debut, ‘Elephants in the Fog,’ is a gorgeously-shot portrait of oppression within an isolated, rural Kinnar community.
Nicolas Cage reprises his role of The Spider in Prime Video’s noir-influenced spin-off series from Spider-Man: Into the Spider-Verse.
The Pitt returns for its second season and solidifies its staying power as one of the best shows on television.
Tim Robinson and Zach Kanin successfully transfer their comedic sensibilities from sketch comedy to a hilarious, ambitious, and tantalizing mystery.
