Barbara Kopple's latest documentary on labour struggles in America feels a touch too sanitized, but still remains an important document in the ongoing fight against corporate greed.
Sine Plambech’s latest documentary immerses audiences in a harrowing attempt to reunite a family torn apart during a rescue attempt off the coast of Libya.
TIFF’s Platform section highlights the devastating effects of war on Japanese youth in Miwa Nishikawa’s latest film and the secrets kept hidden to survive in Jan Holoubek’s new genre-bending feature.
Abinash Bikram Shah’s feature debut, ‘Elephants in the Fog,’ is a gorgeously-shot portrait of oppression within an isolated, rural Kinnar community.
Yeon Sang-ho’s latest film investigates the intersection between technology and humanity within a twisty story of a mother’s reality torn between the past and the present.
Rémi St-Michel’s sophomore feature, ‘Toy Gun Bandit,’ plays out like a Québécois version of ‘Good Time’, while Larissa Corriveau anchors iconic Canadian director Denis Côté’s aesthetically impressive latest film, ‘Nobody’s Violence.’
Karthik Subbaraj’s latest feature sets its sights on a generation of men raised by popular culture and toxic masculinity.
Na Hong-jin delivers an impressive action spectacle that keeps itself moving efficiently, despite a screenplay slightly bogged down by familiar genre trappings.
The 51st Toronto International Film Festival takes place from September 10th to 20th in Toronto, Ontario.
Nicolas Cage reprises his role of The Spider in Prime Video’s noir-influenced spin-off series from Spider-Man: Into the Spider-Verse.
The Pitt returns for its second season and solidifies its staying power as one of the best shows on television.
Tim Robinson and Zach Kanin successfully transfer their comedic sensibilities from sketch comedy to a hilarious, ambitious, and tantalizing mystery.
