Rémi St-Michel’s sophomore feature, ‘Toy Gun Bandit,’ plays out like a Québécois version of ‘Good Time’, while Larissa Corriveau anchors iconic Canadian director Denis Côté’s aesthetically impressive latest film, ‘Nobody’s Violence.’
Karthik Subbaraj’s latest feature sets its sights on a generation of men raised by popular culture and toxic masculinity.
Na Hong-jin delivers an impressive action spectacle that keeps itself moving efficiently, despite a screenplay slightly bogged down by familiar genre trappings.
The 51st Toronto International Film Festival takes place from September 10th to 20th in Toronto, Ontario.
Matt Johnson’s latest feature is a beautifully crafted ode to the moments that bring clarity and realization to our lives.
Ryûsuke Kurahashi's feature directorial debut too closely adapts its source material while undercutting its action potential.
Xie Miao returns in Yang Bingjia's latest film to deliver justice through confident action in a more light-hearted adventure.
Dylan Meyer’s directorial debut is a silly misadventure through Los Angeles with two charismatic and infectious lead performances.
Kiyoshi Kurosawa’s latest feature sees the prolific director taking on the jidaigeki film with careful precision and a moral center that resonates today.
Nicolas Cage reprises his role of The Spider in Prime Video’s noir-influenced spin-off series from Spider-Man: Into the Spider-Verse.
The Pitt returns for its second season and solidifies its staying power as one of the best shows on television.
Tim Robinson and Zach Kanin successfully transfer their comedic sensibilities from sketch comedy to a hilarious, ambitious, and tantalizing mystery.
