John Carney’s latest film, ‘Power Ballad,’ tugs all the same heartstrings as his previous works while celebrating how artistic freedom yields soul-enriching works.

Miiku Sakanishi’s directorial debut is a quietly moving reflection on memory and the tools we use to capture it.

Tim Travers Hawkins’ latest documentary is a shocking unveiling of the thin line between legacy, memory, and the truth.

André Øvredal’s latest film sticks to the familiar path while crafting the occasionally satisfying thrill.

Simon McQuoid’s latest film is an improvement over its predecessor that faithfully captures the spirit of the modern games.

Tyler Atkins' sophomore feature rests in well-worn territory and delivers underwhelming drama in a familiar action premise.

Shoji Kawamori’s latest film is a thematically misguided and confused condemnation of the TikTok generation.

Damian McCarthy’s latest atmospheric horror film confronts past traumas within a suspenseful haunted-house film.

Renny Harlin's latest film is a disaster movie injected with sharks that quickly dampens the conceit's promise.

David Lowery’s latest supernatural-inflected drama is bolstered by its performances and technical merits that elevate an otherwise underwhelming metaphor-heavy screenplay.

BenDavid Grabinski’s sophomore feature is a clever twist on the crime-comedy genre, with a little something entertaining for everyone.

Phil Lord and Christopher Miller’s latest film is exciting speculative science fiction told with heart, and an excellent adaptation of Andy Weir’s novel of the same name.