Scott Derrickson’s latest film relies on the chemistry of its leads and a focus on action to deliver thrilling popcorn entertainment.

Kwon Hyeok-jae’s continuation of The Priests franchise is a bleak but unremarkable exorcism film bolstered by its lead performances.

A ghost story told from the perspective of the ghost, Steven Soderbergh’s latest experiment in film is a fully realized exercise in agency and empathy.

Tim Fehlbaum’s latest film is an exacting portrait of ethics and objectivity in live journalism, with a cast and attention to detail that elevates its workmanlike approach.

Christian Gudegast’s sophomore directorial effort is a confident tonal shift of a sequel to one of 2018’s most surprisingly refined action films.

Woo Min-ho’s latest historical political thriller is an uninteresting depiction of resistance in Japanese-occupied Korea.

Robert Eggers’s latest film takes a familiar narrative and imbues it with terrifying imagery and unparalleled immersion.

Joshua Oppenheimer’s debut narrative feature is a baffling mix of genres that still manages to reflect the evils of humankind.

Ridley Scott returns to one of his most prolific films with a sword-and-sandals epic that is both satisfying and disappointing.

Edward Berger's papal thriller turns an otherwise sterile screenplay into a lavish and focused commentary on the current political landscape.

Daniel Roher and Edmund Stenson’s documentary on a congenital condition that takes a family across the world is a heartwarming and slight experience.

Matthew Rankin's sophomore feature is an imaginative and heartfelt celebration of human connection in a fictionalized Canada.