Radu Jude continues his humorous and poignant commentaries on the intersection of technology and society, this time taking aim at artificial intelligence through the lens of Dracula.

Shane Black’s latest film brings Donald E. Westlake’s Parker series of novels to the action comedy space, but loses a bit of the writer-director’s charms along the way.

Adam Carter Rehmeier’s Bonnie and Clyde riff continues to solidify the director’s love of Americana cinema in one of his most accessible and crowd-pleasing films to date.

Curry Barker’s feature directorial debut features astounding tonal control that creates nerve-wracking tension from a deceptively simplistic premise.

Lucía Aleñar Iglesias' directorial debut is a subtly powerful exploration of memory and grief, while Gabriel Mascaro returns to TIFF with a celebration of life's uncertainties against a dystopian future setting.

The Toronto International Film Festival’s Midnight Madness program delivers some religious mayhem with Aleksandar Radivojević’s ‘Karmadonna’ and ambitious, grotesque stop-motion animation in Takahide Hori’s ‘Junk World.’

Park Chan-wook’s latest film is a devilish satire depicting a cutthroat world of unemployment that is as incisive and depressing as it is hilarious.

Japanese traditions and culture are viewed through two different lenses in separate films premiering at this year’s Toronto International Film Festival.

Ben Wheatley directs Derek Kolstad’s latest action vehicle for Bob Odenkirk. Wreaking havoc through rural Americana, ‘Normal’ is a mildly entertaining neo-Western elevated by its playful direction.

Chloé Zhao's 'Hamnet' tackles Maggie O’Farrell’s novel of the same name with an empathetic eye towards how death transforms us all, even in the face of unshakeable love.

Guillermo del Toro adapts Mary Shelley’s prolific gothic horror novel to astounding effect, crafting an immersive and personal exploration about art, creation, and life.

Chie Hayakawa’s latest offers a personal, meandering exploration of grief through a coming-of-age drama, while Andy Hines’ feature directorial debut is a disappointing adaptation with too many misguided decisions.