Kōji Shiraishi’s latest horror feature builds upon his legacy of unsettling mysteries with an impressive combination of atmospheric tension and paranoia-driven investigation.

Sophie Yang and Veronica Bassetto’s feature debut has its heart in the right place, but falls short of the important conversation it’s trying to instigate.

Robby Rackleff and Alan Resnick’s surrealist comedy is an unsettling and evocative portrait of a violent society threatened by the appearance of an infectious force.

Han Chang-lok presents a bleak portrait of teenage malaise intersecting with social media, filtered through an immersive and propulsive DIY presentation.

Makoto Ueda’s feature directorial debut is a trippy, endearing adventure tightly wound into an astounding puzzle framework.

Christopher Nolan’s adaptation of Homer’s epic poem is a colossal achievement in adaptation and blockbuster filmmaking.

Amos Why and Frankie Chung’s love letter to restaurants, lost love, and the vulnerability of cooking is an underwhelming but still comforting blanket of culinary cinema.

Yeon Sang-ho’s latest genre thriller is an exhilarating zombie film with some clever ideas, bogged down by familiar archetypes.

Sébastien Vanicek takes the Evil Dead franchise into the world of French Extremity with an unforgiving, bleak approach and a cruel eye towards everything in its path.

The 30th Fantasia International Film Festival takes place from July 16th to August 2nd in Montreal, Quebec.

Pierre Coffin’s latest outing with the Minions is a reverential send-up of cinema’s history, filtered through the adorable hijinks of Illumination’s iconic mascots.

David Wain's latest comedy won’t win over non-believers, but celebrates the simple act of never giving up on your dreams in his typically absurdly hilarious way.