Makoto Ueda’s feature directorial debut is a trippy, endearing adventure tightly wound into an astounding puzzle framework.

Christopher Nolan’s adaptation of Homer’s epic poem is a colossal achievement in adaptation and blockbuster filmmaking.

Amos Why and Frankie Chung’s love letter to restaurants, lost love, and the vulnerability of cooking is an underwhelming but still comforting blanket of culinary cinema.

Yeon Sang-ho’s latest genre thriller is an exhilarating zombie film with some clever ideas, bogged down by familiar archetypes.

Sébastien Vanicek takes the Evil Dead franchise into the world of French Extremity with an unforgiving, bleak approach and a cruel eye towards everything in its path.

The 30th Fantasia International Film Festival takes place from July 16th to August 2nd in Montreal, Quebec.

Pierre Coffin’s latest outing with the Minions is a reverential send-up of cinema’s history, filtered through the adorable hijinks of Illumination’s iconic mascots.

David Wain's latest comedy won’t win over non-believers, but celebrates the simple act of never giving up on your dreams in his typically absurdly hilarious way.

Adrian Chiarella’s haunting feature directorial debut strikes deep with a pair of devastating performances and a disquieting reality.

Steven Spielberg’s latest film reflects on the current political climate within a predictably spellbinding science fiction adventure.

John Carney’s latest film, ‘Power Ballad,’ tugs all the same heartstrings as his previous works while celebrating how artistic freedom yields soul-enriching works.

Miiku Sakanishi’s directorial debut is a quietly moving reflection on memory and the tools we use to capture it.