Adam Carter Rehmeier’s Bonnie and Clyde riff continues to solidify the director’s love of Americana cinema in one of his most accessible and crowd-pleasing films to date.

Curry Barker’s feature directorial debut features astounding tonal control that creates nerve-wracking tension from a deceptively simplistic premise.

Lucía Aleñar Iglesias' directorial debut is a subtly powerful exploration of memory and grief, while Gabriel Mascaro returns to TIFF with a celebration of life's uncertainties against a dystopian future setting.

The Toronto International Film Festival’s Midnight Madness program delivers some religious mayhem with Aleksandar Radivojević’s ‘Karmadonna’ and ambitious, grotesque stop-motion animation in Takahide Hori’s ‘Junk World.’

Park Chan-wook’s latest film is a devilish satire depicting a cutthroat world of unemployment that is as incisive and depressing as it is hilarious.

Japanese traditions and culture are viewed through two different lenses in separate films premiering at this year’s Toronto International Film Festival.

Ben Wheatley directs Derek Kolstad’s latest action vehicle for Bob Odenkirk. Wreaking havoc through rural Americana, ‘Normal’ is a mildly entertaining neo-Western elevated by its playful direction.

Chloé Zhao's 'Hamnet' tackles Maggie O’Farrell’s novel of the same name with an empathetic eye towards how death transforms us all, even in the face of unshakeable love.

Guillermo del Toro adapts Mary Shelley’s prolific gothic horror novel to astounding effect, crafting an immersive and personal exploration about art, creation, and life.

Chie Hayakawa’s latest offers a personal, meandering exploration of grief through a coming-of-age drama, while Andy Hines’ feature directorial debut is a disappointing adaptation with too many misguided decisions.

Kenji Tanigaki’s latest film works tirelessly to deliver a refreshing non-stop action experience filled to the brim with creative and brutal violence.

Mihai Mincan’s latest film is a coming-of-age story set against a dark chapter in Romanian history, patiently exploring how grief and tragedy become inextricably linked to a country’s political landscape.

Alejandro Amenábar’s latest film delves into the early life of Miguel de Cervantes, before he became one of history’s greatest storytellers.

Ben Rivers’ latest feature film provides a thought-provoking post-apocalyptic canvas for its audience to immerse themselves in before wandering aimlessly between vignettes.

Shawn Simmons’ feature directorial debut features hints of a better film buried in a tonal mess that crashes into itself.

Heidi Ewing and Rachel Grady’s Folktales is an immersive, patient documentary that reminds us all of how important it is to know oneself in an increasingly technology-dependent society.

Timo Tjahjanto makes his English-language directorial debut with 'Nobody 2' and delivers a fun distraction that struggles to be anything more than that.

Kiyoshi Kurosawa’s latest film ruminates on consumerism, anonymity, and the moral complexities of trying to survive and thrive in a digital age.

Kensuke Sonomura’s latest film is an entertaining action-comedy featuring top-tier action choreography while failing to live up to its premise’s potential.

Shinobu Yaguchi’s latest film is a departure from the director’s familiar upbeat comedies as he digs into the horror genre with satisfying results.