TIFF 2026: ‘London’ & ‘The Remotes’
TIFF’s Wavelengths program welcomes the narrative feature debut from John Torres and a textured road movie from Sebastian Brameshuber.
TIFF 2026: ‘Toy Gun Bandit’ & ‘Nobody’s Violence’
Rémi St-Michel’s sophomore feature, ‘Toy Gun Bandit,’ plays out like a Québécois version of ‘Good Time’, while Larissa Corriveau anchors iconic Canadian director Denis Côté’s aesthetically impressive latest film, ‘Nobody’s Violence.’
‘Hope’ Review
Na Hong-jin delivers an impressive action spectacle that keeps itself moving efficiently, despite a screenplay slightly bogged down by familiar genre trappings.
Fantasia 2026: ‘You Are the Film’ Review
Makoto Ueda’s feature directorial debut is a trippy, endearing adventure tightly wound into an astounding puzzle framework.
‘Disclosure Day’ Review
Steven Spielberg’s latest film reflects on the current political climate within a predictably spellbinding science fiction adventure.
‘Labyrinth’ Review
Shoji Kawamori’s latest film is a thematically misguided and confused condemnation of the TikTok generation.
‘Project Hail Mary’ Review
Phil Lord and Christopher Miller’s latest film is exciting speculative science fiction told with heart, and an excellent adaptation of Andy Weir’s novel of the same name.
‘Good Luck, Have Fun, Don’t Die’ Review
Gore Verbinski’s latest film is a chaotic time-traveling adventure that finds a sliver of hope in a seemingly doomed society.
‘Back to the Past’ Review
Ng Yuen-fai and Jack Lai’s revival of ‘A Step into the Past’ has the potential to entertain fans of the TV show, but as a film it struggles to be more than just an extended epilogue.
‘Nirvanna The Band The Show The Movie’ Review
Matt Johnson and Jay McCarrol return to Nirvanna the Band to make one last attempt to finally play the Rivoli in a time-traveling hilarious celebration of moviemaking magic.
‘28 Years Later: The Bone Temple’ Review
Nia DaCosta’s turn in the director’s chair brings forth a torrent of violence and chaos in a society on the brink of complete moral collapse.
‘All You Need Is Kill’ Review
Kenichiro Akimoto’s anime adaptation of the novel of the same name is a kinetic visual delight that finds the heart to fight for another day.