Takashi Miike's riff on the surprisingly enduring Bad Lieutenant franchise sees the prolific director working comfortably within his wheelhouse, much to his latest film's detriment.

Zack Snyder’s latest film sees the director indulging in his worst tendencies and delivering a racist, misogynistic, and vapid exploration of hollow men engulfed in a world of violence.

TIFF’s Midnight Madness program was punched up by two comedic highlights from established talents: Matthew Rankin’s fever-dream documentary ‘Ladies and Gentlemen, Brian Mulroney’ and Matt Barats’ deadpan comedy ‘Anchors Aweigh.’

Samjad’s slick action-horror hybrid weaves together vampirism with martial arts in a curry western dedicated to keeping the blood pumping in its audience.

TIFF’s Wavelengths program welcomes the narrative feature debut from John Torres and a textured road movie from Sebastian Brameshuber.

Barbara Kopple's latest documentary on labour struggles in America feels a touch too sanitized, but still remains an important document in the ongoing fight against corporate greed.

Abinash Bikram Shah’s feature debut, ‘Elephants in the Fog,’ is a gorgeously-shot portrait of oppression within an isolated, rural Kinnar community.

Yeon Sang-ho’s latest film investigates the intersection between technology and humanity within a twisty story of a mother’s reality torn between the past and the present.

Rémi St-Michel’s sophomore feature, ‘Toy Gun Bandit,’ plays out like a Québécois version of ‘Good Time’, while Larissa Corriveau anchors iconic Canadian director Denis Côté’s aesthetically impressive latest film, ‘Nobody’s Violence.’

Karthik Subbaraj’s latest feature sets its sights on a generation of men raised by popular culture and toxic masculinity.

Na Hong-jin delivers an impressive action spectacle that keeps itself moving efficiently, despite a screenplay slightly bogged down by familiar genre trappings.

The 51st Toronto International Film Festival takes place from September 10th to 20th in Toronto, Ontario.