Yeon Sang-ho’s latest genre thriller is an exhilarating zombie film with some clever ideas, bogged down by familiar archetypes.

Sébastien Vanicek takes the Evil Dead franchise into the world of French Extremity with an unforgiving, bleak approach and a cruel eye towards everything in its path.

Pierre Coffin’s latest outing with the Minions is a reverential send-up of cinema’s history, filtered through the adorable hijinks of Illumination’s iconic mascots.

David Wain's latest comedy won’t win over non-believers, but celebrates the simple act of never giving up on your dreams in his typically absurdly hilarious way.

Adrian Chiarella’s haunting feature directorial debut strikes deep with a pair of devastating performances and a disquieting reality.

Steven Spielberg’s latest film reflects on the current political climate within a predictably spellbinding science fiction adventure.

John Carney’s latest film, ‘Power Ballad,’ tugs all the same heartstrings as his previous works while celebrating how artistic freedom yields soul-enriching works.

Miiku Sakanishi’s directorial debut is a quietly moving reflection on memory and the tools we use to capture it.

Tim Travers Hawkins’ latest documentary is a shocking unveiling of the thin line between legacy, memory, and the truth.

André Øvredal’s latest film sticks to the familiar path while crafting the occasionally satisfying thrill.

Simon McQuoid’s latest film is an improvement over its predecessor that faithfully captures the spirit of the modern games.

Tyler Atkins' sophomore feature rests in well-worn territory and delivers underwhelming drama in a familiar action premise.