Nia DaCosta’s turn in the director’s chair brings forth a torrent of violence and chaos in a society on the brink of complete moral collapse.

Zak Hilditch's latest horror effort is a smartly written character-driven spin on the zombie genre, led by an impressive Daisy Ridley.

Colin Minihan’s latest film emptily gestures towards real-life concerns in a gory bloodbath of nature versus man.

Ben Leonberg’s feature directorial debut has an attention-grabbing premise, but is far better than just being a horror movie from the perspective of a dog.

Radu Jude continues his humorous and poignant commentaries on the intersection of technology and society, this time taking aim at artificial intelligence through the lens of Dracula.

Curry Barker’s feature directorial debut features astounding tonal control that creates nerve-wracking tension from a deceptively simplistic premise.

The Toronto International Film Festival’s Midnight Madness program delivers some religious mayhem with Aleksandar Radivojević’s ‘Karmadonna’ and ambitious, grotesque stop-motion animation in Takahide Hori’s ‘Junk World.’

Guillermo del Toro adapts Mary Shelley’s prolific gothic horror novel to astounding effect, crafting an immersive and personal exploration about art, creation, and life.

Kiyoshi Kurosawa’s latest film ruminates on consumerism, anonymity, and the moral complexities of trying to survive and thrive in a digital age.

Kensuke Sonomura’s latest film is an entertaining action-comedy featuring top-tier action choreography while failing to live up to its premise’s potential.

Shinobu Yaguchi’s latest film is a departure from the director’s familiar upbeat comedies as he digs into the horror genre with satisfying results.

Morihito Inoue's directorial debut is an impressive display of creativity wrapped in a chaotic and endearing experience.