Takashi Miike's riff on the surprisingly enduring Bad Lieutenant franchise sees the prolific director working comfortably within his wheelhouse, much to his latest film's detriment.

Zack Snyder’s latest film sees the director indulging in his worst tendencies and delivering a racist, misogynistic, and vapid exploration of hollow men engulfed in a world of violence.

Samjad’s slick action-horror hybrid weaves together vampirism with martial arts in a curry western dedicated to keeping the blood pumping in its audience.

Karthik Subbaraj’s latest feature sets its sights on a generation of men raised by popular culture and toxic masculinity.

Na Hong-jin delivers an impressive action spectacle that keeps itself moving efficiently, despite a screenplay slightly bogged down by familiar genre trappings.

Ryûsuke Kurahashi's feature directorial debut too closely adapts its source material while undercutting its action potential.

Xie Miao returns in Yang Bingjia's latest film to deliver justice through confident action in a more light-hearted adventure.

Bob Colaers’ sophomore feature delivers bloody carnage through an apartment complex, but fails to differentiate itself from its contemporaries.

Sophie Yang and Veronica Bassetto’s feature debut has its heart in the right place, but falls short of the important conversation it’s trying to instigate.

Yeon Sang-ho’s latest genre thriller is an exhilarating zombie film with some clever ideas, bogged down by familiar archetypes.

Steven Spielberg’s latest film reflects on the current political climate within a predictably spellbinding science fiction adventure.

Simon McQuoid’s latest film is an improvement over its predecessor that faithfully captures the spirit of the modern games.