Christian Gudegast’s sophomore directorial effort is a confident tonal shift of a sequel to one of 2018’s most surprisingly refined action films.

Woo Min-ho’s latest historical political thriller is an uninteresting depiction of resistance in Japanese-occupied Korea.

Ridley Scott returns to one of his most prolific films with a sword-and-sandals epic that is both satisfying and disappointing.

Jeremy Saulnier's latest film confronts corruption and injustice through the determination of its formidable protagonist.

Bren Foster's directorial debut is a vicious vanity project that features unforgettable martial arts mayhem in a dark, depraved world.

Dev Patel’s feature directorial debut, ‘Monkey Man,’ is a fascinating riff on popular action films through a distinctly Indian lens.

Heo Myeong-haeng’s stab at The Roundup franchise results in a far more comedic slive of comfort food - with the necessary amount of violence to invigorate action fans.

Alex Garland’s latest film is a taut thriller whose singular focus hinders it from being more than a tense genre exercise.

Bertrand Mandico’s latest film explores the artistic process through the violent mythos of Conan the Barbarian.

Heo Myeong-haeng’s directorial debut is a fun slice of action cinema in a post-apocalyptic Seoul.

F. Gary Gray's latest entry to the heist genre fails to stand out from its contemporaries.

Jason Kwan’s star-studded Hong Kong crime film struggles to distinguish itself within a familiar narrative.