TIFF’s Platform section highlights the devastating effects of war on Japanese youth in Miwa Nishikawa’s latest film and the secrets kept hidden to survive in Jan Holoubek’s new genre-bending feature.

Abinash Bikram Shah’s feature debut, ‘Elephants in the Fog,’ is a gorgeously-shot portrait of oppression within an isolated, rural Kinnar community.

Yeon Sang-ho’s latest film investigates the intersection between technology and humanity within a twisty story of a mother’s reality torn between the past and the present.

Na Hong-jin delivers an impressive action spectacle that keeps itself moving efficiently, despite a screenplay slightly bogged down by familiar genre trappings.

Yeon Sang-ho’s latest genre thriller is an exhilarating zombie film with some clever ideas, bogged down by familiar archetypes.

Adrian Chiarella’s haunting feature directorial debut strikes deep with a pair of devastating performances and a disquieting reality.

André Øvredal’s latest film sticks to the familiar path while crafting the occasionally satisfying thrill.

Renny Harlin's latest film is a disaster movie injected with sharks that quickly dampens the conceit's promise.

David Lowery’s latest supernatural-inflected drama is bolstered by its performances and technical merits that elevate an otherwise underwhelming metaphor-heavy screenplay.

Phil Lord and Christopher Miller’s latest film is exciting speculative science fiction told with heart, and an excellent adaptation of Andy Weir’s novel of the same name.

Matt Bettinelli-Olpin and Tyler Gillett maintain the same over-the-top violence and silly action in the sequel to their 2019 hit film, but with a case of diminishing returns.

Zak Hilditch's latest horror effort is a smartly written character-driven spin on the zombie genre, led by an impressive Daisy Ridley.