Shawn Simmons’ feature directorial debut features hints of a better film buried in a tonal mess that crashes into itself.

Sean Byrne’s latest horror film is a violent, intelligent shark film that stretches itself thin to deliver a comprehensive character study.

Christopher McQuarrie’s fourth directed film in the long-running action franchise celebrates what came before while reckoning with the choices that will dictate Ethan Hunt’s future.

Gareth Evans’ latest film is a bleak crime thriller that sees its star carve a blood-soaked path through the criminal underworld.

Yeon Sang-ho’s latest thriller continues his fascination with religious fanaticism in a convoluted narrative of violence and faith.

Flying Lotus’s sophomore feature is a surreal hybrid of science fiction and horror that relies on its influences and stylistic impulses at the expense of its characters and narrative.

James Ashcroft’s sophomore feature is another bleak examination of humanity through the unique lens of a retirement home held hostage by one of its residents.

Alex Parkinson’s narrative adaptation of the 2019 documentary of the same name is an underwhelming and shallow retelling of an incredible tale of survival.

Kwon Hyeok-jae’s continuation of The Priests franchise is a bleak but unremarkable exorcism film bolstered by its lead performances.

Donnie Yen’s latest film contrasts spectacular action sequences with an underwhelming courtroom drama.

A ghost story told from the perspective of the ghost, Steven Soderbergh’s latest experiment in film is a fully realized exercise in agency and empathy.

Tim Fehlbaum’s latest film is an exacting portrait of ethics and objectivity in live journalism, with a cast and attention to detail that elevates its workmanlike approach.