Renny Harlin's latest film is a disaster movie injected with sharks that quickly dampens the conceit's promise.

David Lowery’s latest supernatural-inflected drama is bolstered by its performances and technical merits that elevate an otherwise underwhelming metaphor-heavy screenplay.

Phil Lord and Christopher Miller’s latest film is exciting speculative science fiction told with heart, and an excellent adaptation of Andy Weir’s novel of the same name.

Matt Bettinelli-Olpin and Tyler Gillett maintain the same over-the-top violence and silly action in the sequel to their 2019 hit film, but with a case of diminishing returns.

Zak Hilditch's latest horror effort is a smartly written character-driven spin on the zombie genre, led by an impressive Daisy Ridley.

Jafar Panahi’s latest film, It Was Just An Accident, thrives within the moral murkiness of a man seeking revenge on his suspected torturer.

Colin Minihan’s latest film emptily gestures towards real-life concerns in a gory bloodbath of nature versus man.

Ben Leonberg’s feature directorial debut has an attention-grabbing premise, but is far better than just being a horror movie from the perspective of a dog.

Adam Carter Rehmeier’s Bonnie and Clyde riff continues to solidify the director’s love of Americana cinema in one of his most accessible and crowd-pleasing films to date.

Ben Wheatley directs Derek Kolstad’s latest action vehicle for Bob Odenkirk. Wreaking havoc through rural Americana, ‘Normal’ is a mildly entertaining neo-Western elevated by its playful direction.

Kenji Tanigaki’s latest film works tirelessly to deliver a refreshing non-stop action experience filled to the brim with creative and brutal violence.

Shawn Simmons’ feature directorial debut features hints of a better film buried in a tonal mess that crashes into itself.