A ghost story told from the perspective of the ghost, Steven Soderbergh’s latest experiment in film is a fully realized exercise in agency and empathy.

Tim Fehlbaum’s latest film is an exacting portrait of ethics and objectivity in live journalism, with a cast and attention to detail that elevates its workmanlike approach.

Christian Gudegast’s sophomore directorial effort is a confident tonal shift of a sequel to one of 2018’s most surprisingly refined action films.

Woo Min-ho’s latest historical political thriller is an uninteresting depiction of resistance in Japanese-occupied Korea.

Edward Berger's papal thriller turns an otherwise sterile screenplay into a lavish and focused commentary on the current political landscape.

Max and Sam Eggers' feature directorial debut pits an expectant mother against her mother-in-law while trying to balance unsettling actions with non-stop comedy.

Jeremy Saulnier's latest film confronts corruption and injustice through the determination of its formidable protagonist.

Fede Alvarez takes a swing at iterating on the Alien franchise with a playful amusement park of thrilling set pieces and terrifying imagery.

M. Night Shyamalan's latest thriller leans heavy on the twists to create an entertaining cat-and-mouse manhunt to catch a crafty serial killer.

Tilman Singer's sophomore feature is a delirious trip that muddles its thematic intent in exchange for pure genre thrills.

Bren Foster's directorial debut is a vicious vanity project that features unforgettable martial arts mayhem in a dark, depraved world.

Dev Patel’s feature directorial debut, ‘Monkey Man,’ is a fascinating riff on popular action films through a distinctly Indian lens.