Jafar Panahi’s latest film, It Was Just An Accident, thrives within the moral murkiness of a man seeking revenge on his suspected torturer.

Colin Minihan’s latest film emptily gestures towards real-life concerns in a gory bloodbath of nature versus man.

Ben Leonberg’s feature directorial debut has an attention-grabbing premise, but is far better than just being a horror movie from the perspective of a dog.

Adam Carter Rehmeier’s Bonnie and Clyde riff continues to solidify the director’s love of Americana cinema in one of his most accessible and crowd-pleasing films to date.

Ben Wheatley directs Derek Kolstad’s latest action vehicle for Bob Odenkirk. Wreaking havoc through rural Americana, ‘Normal’ is a mildly entertaining neo-Western elevated by its playful direction.

Kenji Tanigaki’s latest film works tirelessly to deliver a refreshing non-stop action experience filled to the brim with creative and brutal violence.

Shawn Simmons’ feature directorial debut features hints of a better film buried in a tonal mess that crashes into itself.

Sean Byrne’s latest horror film is a violent, intelligent shark film that stretches itself thin to deliver a comprehensive character study.

Christopher McQuarrie’s fourth directed film in the long-running action franchise celebrates what came before while reckoning with the choices that will dictate Ethan Hunt’s future.

Gareth Evans’ latest film is a bleak crime thriller that sees its star carve a blood-soaked path through the criminal underworld.

Yeon Sang-ho’s latest thriller continues his fascination with religious fanaticism in a convoluted narrative of violence and faith.

Flying Lotus’s sophomore feature is a surreal hybrid of science fiction and horror that relies on its influences and stylistic impulses at the expense of its characters and narrative.