Yeon Sang-ho’s latest thriller continues his fascination with religious fanaticism in a convoluted narrative of violence and faith.

Kwon Hyeok-jae’s continuation of The Priests franchise is a bleak but unremarkable exorcism film bolstered by its lead performances.

Woo Min-ho’s latest historical political thriller is an uninteresting depiction of resistance in Japanese-occupied Korea.

Heo Myeong-haeng’s stab at The Roundup franchise results in a far more comedic slive of comfort food - with the necessary amount of violence to invigorate action fans.

Heo Myeong-haeng’s directorial debut is a fun slice of action cinema in a post-apocalyptic Seoul.