Gareth Evans’ latest film is a bleak crime thriller that sees its star carve a blood-soaked path through the criminal underworld.

Yeon Sang-ho’s latest thriller continues his fascination with religious fanaticism in a convoluted narrative of violence and faith.

Seiji Tanaka’s latest film is a bloody revenge film that never rises above its dependence on ultraviolence.

Christian Gudegast’s sophomore directorial effort is a confident tonal shift of a sequel to one of 2018’s most surprisingly refined action films.

Woo Min-ho’s latest historical political thriller is an uninteresting depiction of resistance in Japanese-occupied Korea.

Jeremy Saulnier's latest film confronts corruption and injustice through the determination of its formidable protagonist.

M. Night Shyamalan's latest thriller leans heavy on the twists to create an entertaining cat-and-mouse manhunt to catch a crafty serial killer.

Heo Myeong-haeng’s stab at The Roundup franchise results in a far more comedic slive of comfort food - with the necessary amount of violence to invigorate action fans.

F. Gary Gray's latest entry to the heist genre fails to stand out from its contemporaries.

Jason Kwan’s star-studded Hong Kong crime film struggles to distinguish itself within a familiar narrative.

Justine Triet’s courtroom drama is a tense, provocative exercise that lets its audience feel a part of the trial itself.