Park Chan-wook’s latest film is a devilish satire depicting a cutthroat world of unemployment that is as incisive and depressing as it is hilarious.

Ben Wheatley directs Derek Kolstad’s latest action vehicle for Bob Odenkirk. Wreaking havoc through rural Americana, ‘Normal’ is a mildly entertaining neo-Western elevated by its playful direction.

Chie Hayakawa’s latest offers a personal, meandering exploration of grief through a coming-of-age drama, while Andy Hines’ feature directorial debut is a disappointing adaptation with too many misguided decisions.

Kenji Tanigaki’s latest film works tirelessly to deliver a refreshing non-stop action experience filled to the brim with creative and brutal violence.

Mihai Mincan’s latest film is a coming-of-age story set against a dark chapter in Romanian history, patiently exploring how grief and tragedy become inextricably linked to a country’s political landscape.

Timo Tjahjanto makes his English-language directorial debut with 'Nobody 2' and delivers a fun distraction that struggles to be anything more than that.

Kensuke Sonomura’s latest film is an entertaining action-comedy featuring top-tier action choreography while failing to live up to its premise’s potential.

Gareth Evans’ latest film is a bleak crime thriller that sees its star carve a blood-soaked path through the criminal underworld.

Yeon Sang-ho’s latest thriller continues his fascination with religious fanaticism in a convoluted narrative of violence and faith.

Seiji Tanaka’s latest film is a bloody revenge film that never rises above its dependence on ultraviolence.

Christian Gudegast’s sophomore directorial effort is a confident tonal shift of a sequel to one of 2018’s most surprisingly refined action films.

Woo Min-ho’s latest historical political thriller is an uninteresting depiction of resistance in Japanese-occupied Korea.