Alejandro Amenábar’s latest film delves into the early life of Miguel de Cervantes, before he became one of history’s greatest storytellers.

Shawn Simmons’ feature directorial debut features hints of a better film buried in a tonal mess that crashes into itself.

Kiyoshi Kurosawa’s latest film ruminates on consumerism, anonymity, and the moral complexities of trying to survive and thrive in a digital age.

Joseph Kosinski’s latest film is another immersive, adrenaline-fueled spectacle and an entry point into the world’s most popular motorsport.

Yeon Sang-ho’s latest thriller continues his fascination with religious fanaticism in a convoluted narrative of violence and faith.

Alex Parkinson’s narrative adaptation of the 2019 documentary of the same name is an underwhelming and shallow retelling of an incredible tale of survival.

Brady Corbet’s latest film is a staggering American epic that is as textured and nuanced as it is monolithic.

A ghost story told from the perspective of the ghost, Steven Soderbergh’s latest experiment in film is a fully realized exercise in agency and empathy.

Tim Fehlbaum’s latest film is an exacting portrait of ethics and objectivity in live journalism, with a cast and attention to detail that elevates its workmanlike approach.

Christian Gudegast’s sophomore directorial effort is a confident tonal shift of a sequel to one of 2018’s most surprisingly refined action films.

Joshua Oppenheimer’s debut narrative feature is a baffling mix of genres that still manages to reflect the evils of humankind.

Ridley Scott returns to one of his most prolific films with a sword-and-sandals epic that is both satisfying and disappointing.