Alex Parkinson’s narrative adaptation of the 2019 documentary of the same name is an underwhelming and shallow retelling of an incredible tale of survival.

Brady Corbet’s latest film is a staggering American epic that is as textured and nuanced as it is monolithic.

A ghost story told from the perspective of the ghost, Steven Soderbergh’s latest experiment in film is a fully realized exercise in agency and empathy.

Tim Fehlbaum’s latest film is an exacting portrait of ethics and objectivity in live journalism, with a cast and attention to detail that elevates its workmanlike approach.

Christian Gudegast’s sophomore directorial effort is a confident tonal shift of a sequel to one of 2018’s most surprisingly refined action films.

Joshua Oppenheimer’s debut narrative feature is a baffling mix of genres that still manages to reflect the evils of humankind.

Ridley Scott returns to one of his most prolific films with a sword-and-sandals epic that is both satisfying and disappointing.

Edward Berger's papal thriller turns an otherwise sterile screenplay into a lavish and focused commentary on the current political landscape.

Matthew Rankin's sophomore feature is an imaginative and heartfelt celebration of human connection in a fictionalized Canada.

Sean Baker's latest film is an exciting and tense whirlwind romance, led by a tremendous performance and infectious energy.

Kazik Radwanski's latest film is a richly textured analysis of creative people wrestling with modern-day anxieties.

Coralie Fargeat's sophomore feature is a maximalist body horror masterpiece that is both unflinching in its extremes and remarkably assured in its direction.