Rémi St-Michel’s sophomore feature, ‘Toy Gun Bandit,’ plays out like a Québécois version of ‘Good Time’, while Larissa Corriveau anchors iconic Canadian director Denis Côté’s aesthetically impressive latest film, ‘Nobody’s Violence.’

Karthik Subbaraj’s latest feature sets its sights on a generation of men raised by popular culture and toxic masculinity.

Matt Johnson’s latest feature is a beautifully crafted ode to the moments that bring clarity and realization to our lives.

Kiyoshi Kurosawa’s latest feature sees the prolific director taking on the jidaigeki film with careful precision and a moral center that resonates today.

Taichi Kimura’s sophomore feature is an incisive condemnation of patriarchal values with an endearing protagonist fighting to raise her child alone.

Sophie Yang and Veronica Bassetto’s feature debut has its heart in the right place, but falls short of the important conversation it’s trying to instigate.

Christopher Nolan’s adaptation of Homer’s epic poem is a colossal achievement in adaptation and blockbuster filmmaking.

John Carney’s latest film, ‘Power Ballad,’ tugs all the same heartstrings as his previous works while celebrating how artistic freedom yields soul-enriching works.

Miiku Sakanishi’s directorial debut is a quietly moving reflection on memory and the tools we use to capture it.

Tyler Atkins' sophomore feature rests in well-worn territory and delivers underwhelming drama in a familiar action premise.

Renny Harlin's latest film is a disaster movie injected with sharks that quickly dampens the conceit's promise.

David Lowery’s latest supernatural-inflected drama is bolstered by its performances and technical merits that elevate an otherwise underwhelming metaphor-heavy screenplay.