John Carney’s latest film, ‘Power Ballad,’ tugs all the same heartstrings as his previous works while celebrating how artistic freedom yields soul-enriching works.

Miiku Sakanishi’s directorial debut is a quietly moving reflection on memory and the tools we use to capture it.

Tyler Atkins' sophomore feature rests in well-worn territory and delivers underwhelming drama in a familiar action premise.

Renny Harlin's latest film is a disaster movie injected with sharks that quickly dampens the conceit's promise.

David Lowery’s latest supernatural-inflected drama is bolstered by its performances and technical merits that elevate an otherwise underwhelming metaphor-heavy screenplay.

Phil Lord and Christopher Miller’s latest film is exciting speculative science fiction told with heart, and an excellent adaptation of Andy Weir’s novel of the same name.

An absurd real-life military exercise takes center stage in Hailey Benton Gates' directorial debut.

Philippa Lowthorpe's latest film, 'H is for Hawk,' takes the best-selling memoir of the same name and strips it down to its bare emotions.

Joe Carnahan brings together Matt Damon and Ben Affleck for a gritty crime thriller that sets up an entertaining and intriguing dirty-cop narrative that fumbles the landing.

Gus Van Sant’s latest feature is a thrilling throwback fueled by a rage against the system and bolstered by an energetic lead performance.

Nicholas Hytner’s latest film is an unremarkable love letter to art’s importance during tragic times.

Kaouther Ben Hania’s latest film dramatizes a real-life atrocity to craft something vital and exemplary of the power of cinema.