SXSW 2024: ‘The Black Sea’ Review
Crystal Moselle and Derrick B. Harden’s ‘The Black Sea’ is a textured and poignant celebration of the human spirit during times of uncertainty.
‘Perfect Days’ Review
Wim Wenders searches for a therapeutic calmness in the pursuit of minimalism in his latest film.
Slamdance 2024: ‘The Bitcoin Car’ Review
Trygve Luktvasslimo's feature directorial debut is a humorous and exhausting cautionary tale.
‘Inside The Yellow Cocoon Shell’ Review
Phạm Thiên An's feature directorial debut confronts spirituality as it reflects on the past and the path that leads to the present.
‘I Did It My Way’ Review
Jason Kwan’s star-studded Hong Kong crime film struggles to distinguish itself within a familiar narrative.
‘Poor Things’ Review
Yorgos Lanthimos’ latest film is a powerful canvas for its actors but falls short in delivering on its empowering narrative.
‘Godzilla Minus One’ Review
Takashi Yamazaki's take on the popular kaiju franchise brings with it a humanity that elevates his latest film to one of the best Godzilla films ever.
‘Slow’ Review
Marija Kavtaradzė’s latest film is a delicate portrayal of two lovers navigating the complexity of their unique relationship.
‘Leave the World Behind’ Review
Sam Esmail's latest film is a frightening view of our current society's dependency on technology.
‘Priscilla’ Review
Sofia Coppola explores the beginning and end of a relationship in a dreamlike and subdued portrait of Priscilla Presley.
‘Flora and Son’ Review
John Carney’s latest love letter to how music brings us together is a bit out of tune but finds the right chords to strum.
‘Anatomy of a Fall’ review
Justine Triet’s courtroom drama is a tense, provocative exercise that lets its audience feel a part of the trial itself.