Thea Hvistendahl's feature directorial debut is an immersive confrontation of the grieving process.

Bren Foster's directorial debut is a vicious vanity project that features unforgettable martial arts mayhem in a dark, depraved world.

Dev Patel’s feature directorial debut, ‘Monkey Man,’ is a fascinating riff on popular action films through a distinctly Indian lens.

Jane Schoenbrun's latest film, I Saw The TV Glow, is a singular and vital confrontation of escapism and its role in our formative years.

Jeymes Samuel’s sophomore feature, The Book of Clarence, is a gorgeous and immersive experience restrained by its fluctuating tone and meandering narrative.

Heo Myeong-haeng’s stab at The Roundup franchise results in a far more comedic slive of comfort food - with the necessary amount of violence to invigorate action fans.

Alex Garland’s latest film is a taut thriller whose singular focus hinders it from being more than a tense genre exercise.

Crystal Moselle and Derrick B. Harden’s ‘The Black Sea’ is a textured and poignant celebration of the human spirit during times of uncertainty.

Michael Felker's feature directorial debut is an effective and heady lo-fi sci-fi thriller.

Juan Carlos Fresnadillo’s latest film sets up a harrowing ordeal only to squander its genre potential.

Wim Wenders searches for a therapeutic calmness in the pursuit of minimalism in his latest film.

Bertrand Mandico’s latest film explores the artistic process through the violent mythos of Conan the Barbarian.