Heo Myeong-haeng’s directorial debut is a fun slice of action cinema in a post-apocalyptic Seoul.

Øystein Mamen’s feature directorial debut is a challenging, meditative look at attempting to reckon with unforgivable actions.

Trygve Luktvasslimo's feature directorial debut is a humorous and exhausting cautionary tale.

Pete Ohs’ latest feature film is a funny and thought-provoking glimpse into a society where all jobs are illegal.

Phạm Thiên An's feature directorial debut confronts spirituality as it reflects on the past and the path that leads to the present.

F. Gary Gray's latest entry to the heist genre fails to stand out from its contemporaries.

Madeleine Gavin’s latest documentary is a vital reminder of North Korea’s oppressive systems of power operating unchecked.

Jason Kwan’s star-studded Hong Kong crime film struggles to distinguish itself within a familiar narrative.

Yorgos Lanthimos’ latest film is a powerful canvas for its actors but falls short in delivering on its empowering narrative.

Simon Cellan Jones' latest film is a sterile and safe action comedy that can't seem to find an identity.

Takashi Yamazaki's take on the popular kaiju franchise brings with it a humanity that elevates his latest film to one of the best Godzilla films ever.

Marija Kavtaradzė’s latest film is a delicate portrayal of two lovers navigating the complexity of their unique relationship.