Makoto Ueda’s feature directorial debut is a trippy, endearing adventure tightly wound into an astounding puzzle framework.

Pierre Coffin’s latest outing with the Minions is a reverential send-up of cinema’s history, filtered through the adorable hijinks of Illumination’s iconic mascots.

David Wain's latest comedy won’t win over non-believers, but celebrates the simple act of never giving up on your dreams in his typically absurdly hilarious way.

John Carney’s latest film, ‘Power Ballad,’ tugs all the same heartstrings as his previous works while celebrating how artistic freedom yields soul-enriching works.

BenDavid Grabinski’s sophomore feature is a clever twist on the crime-comedy genre, with a little something entertaining for everyone.

Matt Bettinelli-Olpin and Tyler Gillett maintain the same over-the-top violence and silly action in the sequel to their 2019 hit film, but with a case of diminishing returns.

Gore Verbinski’s latest film is a chaotic time-traveling adventure that finds a sliver of hope in a seemingly doomed society.

Matt Johnson and Jay McCarrol return to Nirvanna the Band to make one last attempt to finally play the Rivoli in a time-traveling hilarious celebration of moviemaking magic.

Richard Linklater’s ode to French cinema and the community of filmmaking that the French New Wave fostered is a breezy celebration of creativity.

Richard Linklater’s creative relationship with Ethan Hawke yields some of their best work as the two explore the sadness of the larger-than-life Lorenz Hart over the course of a single night.

Colin Minihan’s latest film emptily gestures towards real-life concerns in a gory bloodbath of nature versus man.

Radu Jude continues his humorous and poignant commentaries on the intersection of technology and society, this time taking aim at artificial intelligence through the lens of Dracula.