‘Eenie Meanie’ Review
Shawn Simmons’ feature directorial debut features hints of a better film buried in a tonal mess that crashes into itself.
‘Nobody 2’ Review
Timo Tjahjanto makes his English-language directorial debut with 'Nobody 2' and delivers a fun distraction that struggles to be anything more than that.
‘Hot Spring Shark Attack’ Review
Morihito Inoue's directorial debut is an impressive display of creativity wrapped in a chaotic and endearing experience.
‘Dog Man’ Blu-ray Review
Peter Hastings’ latest film brings a hand-crafted animated adventure to the big screen that is imaginative and entertaining.
Slamdance 2025: ‘Lockjaw’ Review
Sabrina Greco’s feature directorial debut is an intoxicating and entertaining study of social behaviours in awkward situations.
VIFF 2024: ‘Universal Language’ Review
Matthew Rankin's sophomore feature is an imaginative and heartfelt celebration of human connection in a fictionalized Canada.
VIFF 2024: ‘Anora’ Review
Sean Baker's latest film is an exciting and tense whirlwind romance, led by a tremendous performance and infectious energy.
‘The Front Room’ Review
Max and Sam Eggers' feature directorial debut pits an expectant mother against her mother-in-law while trying to balance unsettling actions with non-stop comedy.
‘The Book of Clarence’ Blu-ray Review
Jeymes Samuel’s sophomore feature, The Book of Clarence, is a gorgeous and immersive experience restrained by its fluctuating tone and meandering narrative.
SXSW 2024: ‘The Black Sea’ Review
Crystal Moselle and Derrick B. Harden’s ‘The Black Sea’ is a textured and poignant celebration of the human spirit during times of uncertainty.
Slamdance 2024: ‘The Bitcoin Car’ Review
Trygve Luktvasslimo's feature directorial debut is a humorous and exhausting cautionary tale.
Slamdance 2024: ‘Love and Work’ Review
Pete Ohs’ latest feature film is a funny and thought-provoking glimpse into a society where all jobs are illegal.