Radu Jude continues his humorous and poignant commentaries on the intersection of technology and society, this time taking aim at artificial intelligence through the lens of Dracula.

Shane Black’s latest film brings Donald E. Westlake’s Parker series of novels to the action comedy space, but loses a bit of the writer-director’s charms along the way.

Park Chan-wook’s latest film is a devilish satire depicting a cutthroat world of unemployment that is as incisive and depressing as it is hilarious.

Shawn Simmons’ feature directorial debut features hints of a better film buried in a tonal mess that crashes into itself.

Timo Tjahjanto makes his English-language directorial debut with 'Nobody 2' and delivers a fun distraction that struggles to be anything more than that.

Morihito Inoue's directorial debut is an impressive display of creativity wrapped in a chaotic and endearing experience.

Peter Hastings’ latest film brings a hand-crafted animated adventure to the big screen that is imaginative and entertaining.

Sabrina Greco’s feature directorial debut is an intoxicating and entertaining study of social behaviours in awkward situations.

Matthew Rankin's sophomore feature is an imaginative and heartfelt celebration of human connection in a fictionalized Canada.

Sean Baker's latest film is an exciting and tense whirlwind romance, led by a tremendous performance and infectious energy.

Max and Sam Eggers' feature directorial debut pits an expectant mother against her mother-in-law while trying to balance unsettling actions with non-stop comedy.

Jeymes Samuel’s sophomore feature, The Book of Clarence, is a gorgeous and immersive experience restrained by its fluctuating tone and meandering narrative.