VIFF 2024: ‘Universal Language’ Review
Matthew Rankin's sophomore feature is an imaginative and heartfelt celebration of human connection in a fictionalized Canada.
VIFF 2024: ‘Anora’ Review
Sean Baker's latest film is an exciting and tense whirlwind romance, led by a tremendous performance and infectious energy.
‘The Front Room’ Review
Max and Sam Eggers' feature directorial debut pits an expectant mother against her mother-in-law while trying to balance unsettling actions with non-stop comedy.
‘The Book of Clarence’ Blu-ray Review
Jeymes Samuel’s sophomore feature, The Book of Clarence, is a gorgeous and immersive experience restrained by its fluctuating tone and meandering narrative.
SXSW 2024: ‘The Black Sea’ Review
Crystal Moselle and Derrick B. Harden’s ‘The Black Sea’ is a textured and poignant celebration of the human spirit during times of uncertainty.
Slamdance 2024: ‘The Bitcoin Car’ Review
Trygve Luktvasslimo's feature directorial debut is a humorous and exhausting cautionary tale.
Slamdance 2024: ‘Love and Work’ Review
Pete Ohs’ latest feature film is a funny and thought-provoking glimpse into a society where all jobs are illegal.
‘Lift’ Review
F. Gary Gray's latest entry to the heist genre fails to stand out from its contemporaries.
‘Poor Things’ Review
Yorgos Lanthimos’ latest film is a powerful canvas for its actors but falls short in delivering on its empowering narrative.
‘The Family Plan’ Review
Simon Cellan Jones' latest film is a sterile and safe action comedy that can't seem to find an identity.