Matt Johnson’s latest feature is a beautifully crafted ode to the moments that bring clarity and realization to our lives.

Matt Johnson and Jay McCarrol return to Nirvanna the Band to make one last attempt to finally play the Rivoli in a time-traveling hilarious celebration of moviemaking magic.

Corin Hardy’s latest horror film treads familiar waters while hinting at something far more ambitious with its clever premise.

Sophy Romvari’s feature debut is an assured confrontation of memory and a formally fascinating autofiction that is one of the best films of the year.

Japanese traditions and culture are viewed through two different lenses in separate films premiering at this year’s Toronto International Film Festival.

Ben Wheatley directs Derek Kolstad’s latest action vehicle for Bob Odenkirk. Wreaking havoc through rural Americana, ‘Normal’ is a mildly entertaining neo-Western elevated by its playful direction.

Chie Hayakawa’s latest offers a personal, meandering exploration of grief through a coming-of-age drama, while Andy Hines’ feature directorial debut is a disappointing adaptation with too many misguided decisions.

Ben Rivers’ latest feature film provides a thought-provoking post-apocalyptic canvas for its audience to immerse themselves in before wandering aimlessly between vignettes.

Sean Byrne’s latest horror film is a violent, intelligent shark film that stretches itself thin to deliver a comprehensive character study.

Brady Corbet’s latest film is a staggering American epic that is as textured and nuanced as it is monolithic.

Christian Gudegast’s sophomore directorial effort is a confident tonal shift of a sequel to one of 2018’s most surprisingly refined action films.

Ridley Scott returns to one of his most prolific films with a sword-and-sandals epic that is both satisfying and disappointing.