Alex Parkinson’s narrative adaptation of the 2019 documentary of the same name is an underwhelming and shallow retelling of an incredible tale of survival.

Sabrina Greco’s feature directorial debut is an intoxicating and entertaining study of social behaviours in awkward situations.

Daniel Straub and Rosanna Xia’s investigative documentary paints a severe portrait of fragile ecosystems unnecessarily pushed into harm’s way by negligence.

Scott Derrickson’s latest film relies on the chemistry of its leads and a focus on action to deliver thrilling popcorn entertainment.

Kwon Hyeok-jae’s continuation of The Priests franchise is a bleak but unremarkable exorcism film bolstered by its lead performances.

Donnie Yen’s latest film contrasts spectacular action sequences with an underwhelming courtroom drama.

Brady Corbet’s latest film is a staggering American epic that is as textured and nuanced as it is monolithic.

A ghost story told from the perspective of the ghost, Steven Soderbergh’s latest experiment in film is a fully realized exercise in agency and empathy.

Tim Fehlbaum’s latest film is an exacting portrait of ethics and objectivity in live journalism, with a cast and attention to detail that elevates its workmanlike approach.

Christian Gudegast’s sophomore directorial effort is a confident tonal shift of a sequel to one of 2018’s most surprisingly refined action films.

Woo Min-ho’s latest historical political thriller is an uninteresting depiction of resistance in Japanese-occupied Korea.

Robert Eggers’s latest film takes a familiar narrative and imbues it with terrifying imagery and unparalleled immersion.