M. Night Shyamalan's latest thriller leans heavy on the twists to create an entertaining cat-and-mouse manhunt to catch a crafty serial killer.

Tilman Singer's sophomore feature is a delirious trip that muddles its thematic intent in exchange for pure genre thrills.

Thea Hvistendahl's feature directorial debut is an immersive confrontation of the grieving process.

Bren Foster's directorial debut is a vicious vanity project that features unforgettable martial arts mayhem in a dark, depraved world.

Dev Patel’s feature directorial debut, ‘Monkey Man,’ is a fascinating riff on popular action films through a distinctly Indian lens.

Jane Schoenbrun's latest film, I Saw The TV Glow, is a singular and vital confrontation of escapism and its role in our formative years.

Jeymes Samuel’s sophomore feature, The Book of Clarence, is a gorgeous and immersive experience restrained by its fluctuating tone and meandering narrative.

Heo Myeong-haeng’s stab at The Roundup franchise results in a far more comedic slive of comfort food - with the necessary amount of violence to invigorate action fans.

Alex Garland’s latest film is a taut thriller whose singular focus hinders it from being more than a tense genre exercise.

Crystal Moselle and Derrick B. Harden’s ‘The Black Sea’ is a textured and poignant celebration of the human spirit during times of uncertainty.

Michael Felker's feature directorial debut is an effective and heady lo-fi sci-fi thriller.

Juan Carlos Fresnadillo’s latest film sets up a harrowing ordeal only to squander its genre potential.