Dev Patel’s feature directorial debut, ‘Monkey Man,’ is a fascinating riff on popular action films through a distinctly Indian lens.

Heo Myeong-haeng’s stab at The Roundup franchise results in a far more comedic slive of comfort food - with the necessary amount of violence to invigorate action fans.

Alex Garland’s latest film is a taut thriller whose singular focus hinders it from being more than a tense genre exercise.

Bertrand Mandico’s latest film explores the artistic process through the violent mythos of Conan the Barbarian.

Heo Myeong-haeng’s directorial debut is a fun slice of action cinema in a post-apocalyptic Seoul.

F. Gary Gray's latest entry to the heist genre fails to stand out from its contemporaries.

Jason Kwan’s star-studded Hong Kong crime film struggles to distinguish itself within a familiar narrative.

Simon Cellan Jones' latest film is a sterile and safe action comedy that can't seem to find an identity.

Takashi Yamazaki's take on the popular kaiju franchise brings with it a humanity that elevates his latest film to one of the best Godzilla films ever.

John Woo’s return to American cinema delivers in surprising ways while fumbling its unnecessary gimmick.

A film about family, friendship, and love, turns into a martial arts bloodbath on a train.