‘Handling the Undead’ Review
Thea Hvistendahl's feature directorial debut is an immersive confrontation of the grieving process.
‘Life after Fighting’ Review
Bren Foster's directorial debut is a vicious vanity project that features unforgettable martial arts mayhem in a dark, depraved world.
‘Monkey Man’ Review
Dev Patel’s feature directorial debut, ‘Monkey Man,’ is a fascinating riff on popular action films through a distinctly Indian lens.
‘I Saw The TV Glow’ Review
Jane Schoenbrun's latest film, I Saw The TV Glow, is a singular and vital confrontation of escapism and its role in our formative years.
‘The Book of Clarence’ Blu-ray Review
Jeymes Samuel’s sophomore feature, The Book of Clarence, is a gorgeous and immersive experience restrained by its fluctuating tone and meandering narrative.
‘The Roundup: Punishment’ Review
Heo Myeong-haeng’s stab at The Roundup franchise results in a far more comedic slive of comfort food - with the necessary amount of violence to invigorate action fans.
‘Civil War’ Review
Alex Garland’s latest film is a taut thriller whose singular focus hinders it from being more than a tense genre exercise.
SXSW 2024: ‘The Black Sea’ Review
Crystal Moselle and Derrick B. Harden’s ‘The Black Sea’ is a textured and poignant celebration of the human spirit during times of uncertainty.
SXSW 2024: ‘Things Will Be Different’ Review
Michael Felker's feature directorial debut is an effective and heady lo-fi sci-fi thriller.
‘Perfect Days’ Review
Wim Wenders searches for a therapeutic calmness in the pursuit of minimalism in his latest film.
‘She is Conann’ Review
Bertrand Mandico’s latest film explores the artistic process through the violent mythos of Conan the Barbarian.
‘Badland Hunters’ Review
Heo Myeong-haeng’s directorial debut is a fun slice of action cinema in a post-apocalyptic Seoul.