F. Gary Gray's latest entry to the heist genre fails to stand out from its contemporaries.

Madeleine Gavin’s latest documentary is a vital reminder of North Korea’s oppressive systems of power operating unchecked.

Jason Kwan’s star-studded Hong Kong crime film struggles to distinguish itself within a familiar narrative.

Yorgos Lanthimos’ latest film is a powerful canvas for its actors but falls short in delivering on its empowering narrative.

Simon Cellan Jones' latest film is a sterile and safe action comedy that can't seem to find an identity.

Takashi Yamazaki's take on the popular kaiju franchise brings with it a humanity that elevates his latest film to one of the best Godzilla films ever.

Marija Kavtaradzė’s latest film is a delicate portrayal of two lovers navigating the complexity of their unique relationship.

Sam Esmail's latest film is a frightening view of our current society's dependency on technology.

John Woo’s return to American cinema delivers in surprising ways while fumbling its unnecessary gimmick.

Sofia Coppola explores the beginning and end of a relationship in a dreamlike and subdued portrait of Priscilla Presley.

John Carney’s latest love letter to how music brings us together is a bit out of tune but finds the right chords to strum.

Justine Triet’s courtroom drama is a tense, provocative exercise that lets its audience feel a part of the trial itself.