‘The Book of Clarence’ Blu-ray Review
Jeymes Samuel’s sophomore feature, The Book of Clarence, is a gorgeous and immersive experience restrained by its fluctuating tone and meandering narrative.
‘The Roundup: Punishment’ Review
Heo Myeong-haeng’s stab at The Roundup franchise results in a far more comedic slive of comfort food - with the necessary amount of violence to invigorate action fans.
‘Civil War’ Review
Alex Garland’s latest film is a taut thriller whose singular focus hinders it from being more than a tense genre exercise.
SXSW 2024: ‘The Black Sea’ Review
Crystal Moselle and Derrick B. Harden’s ‘The Black Sea’ is a textured and poignant celebration of the human spirit during times of uncertainty.
SXSW 2024: ‘Things Will Be Different’ Review
Michael Felker's feature directorial debut is an effective and heady lo-fi sci-fi thriller.
‘She is Conann’ Review
Bertrand Mandico’s latest film explores the artistic process through the violent mythos of Conan the Barbarian.
‘Badland Hunters’ Review
Heo Myeong-haeng’s directorial debut is a fun slice of action cinema in a post-apocalyptic Seoul.
Slamdance 2024: ‘Punishment’ Review
Øystein Mamen’s feature directorial debut is a challenging, meditative look at attempting to reckon with unforgivable actions.
Slamdance 2024: ‘The Bitcoin Car’ Review
Trygve Luktvasslimo's feature directorial debut is a humorous and exhausting cautionary tale.
Slamdance 2024: ‘Love and Work’ Review
Pete Ohs’ latest feature film is a funny and thought-provoking glimpse into a society where all jobs are illegal.
‘Lift’ Review
F. Gary Gray's latest entry to the heist genre fails to stand out from its contemporaries.
‘I Did It My Way’ Review
Jason Kwan’s star-studded Hong Kong crime film struggles to distinguish itself within a familiar narrative.