Slamdance 2024: ‘Punishment’ Review
Øystein Mamen’s feature directorial debut is a challenging, meditative look at attempting to reckon with unforgivable actions.
Slamdance 2024: ‘The Bitcoin Car’ Review
Trygve Luktvasslimo's feature directorial debut is a humorous and exhausting cautionary tale.
Slamdance 2024: ‘Love and Work’ Review
Pete Ohs’ latest feature film is a funny and thought-provoking glimpse into a society where all jobs are illegal.
‘Inside The Yellow Cocoon Shell’ Review
Phạm Thiên An's feature directorial debut confronts spirituality as it reflects on the past and the path that leads to the present.
‘Lift’ Review
F. Gary Gray's latest entry to the heist genre fails to stand out from its contemporaries.
‘Beyond Utopia’ Review
Madeleine Gavin’s latest documentary is a vital reminder of North Korea’s oppressive systems of power operating unchecked.
‘I Did It My Way’ Review
Jason Kwan’s star-studded Hong Kong crime film struggles to distinguish itself within a familiar narrative.
‘Poor Things’ Review
Yorgos Lanthimos’ latest film is a powerful canvas for its actors but falls short in delivering on its empowering narrative.
‘The Family Plan’ Review
Simon Cellan Jones' latest film is a sterile and safe action comedy that can't seem to find an identity.
‘Godzilla Minus One’ Review
Takashi Yamazaki's take on the popular kaiju franchise brings with it a humanity that elevates his latest film to one of the best Godzilla films ever.
‘Slow’ Review
Marija Kavtaradzė’s latest film is a delicate portrayal of two lovers navigating the complexity of their unique relationship.
‘Leave the World Behind’ Review
Sam Esmail's latest film is a frightening view of our current society's dependency on technology.