Yeon Sang-ho’s latest thriller continues his fascination with religious fanaticism in a convoluted narrative of violence and faith.

Seiji Tanaka’s latest film is a bloody revenge film that never rises above its dependence on ultraviolence.

Jeremy Saulnier's latest film confronts corruption and injustice through the determination of its formidable protagonist.

Heo Myeong-haeng’s directorial debut is a fun slice of action cinema in a post-apocalyptic Seoul.

F. Gary Gray's latest entry to the heist genre fails to stand out from its contemporaries.

Sam Esmail's latest film is a frightening view of our current society's dependency on technology.