James Vanderbilt’s sophomore feature posits compelling ideas before settling into a more generic and tragically sterile approach to confronting the atrocities of World War II.

Sophy Romvari’s feature debut is an assured confrontation of memory and a formally fascinating autofiction that is one of the best films of the year.

Robert Eggers’s latest film takes a familiar narrative and imbues it with terrifying imagery and unparalleled immersion.